SIDECHAIN COMPRESSION AND THE SONIC CONSTRUCTION OF GROOVE IN ELECTRONIC DANCE MUSIC

Authors

  • Hairul Hafizi Bin Hasnan Universiti Malaya
  • Alia Farahin Abdul Wahab Universiti Teknologi MARA

Keywords:

Groove, Sidechain Compression, Spectrogram Analysis, Electronic Dance Music (EDM), Record Production as Musical Practice

Abstract

This study investigates the role of lateral dynamics processing—specifically sidechain compression and ghost sidechaining—in shaping the sensation of groove within electronic dance music (EDM). While groove has traditionally been associated with micro-temporal variations in live performance, EDM producers often rely on dynamic manipulation to elicit physical responses from listeners. Drawing on theoretical frameworks from embodied music cognition, sensory-motor theory, and record production as musical practice, this research explores how compression techniques influence rhythmic clarity, amplitude modulation, and listener engagement. Through qualitative analysis of three representative tracks—Music Sounds Better with You by Stardust, Tea Leaf Dancers by Flying Lotus, and Can’t Stop the Feeling by Justin Timberlake—the study demonstrates how producers creatively use compression to construct groove beyond conventional rhythmic structures. Findings reveal that lateral dynamics processing is not merely a technical tool but a central aesthetic and expressive element in EDM production. This work contributes to a deeper understanding of groove as a sonic, embodied, and production-driven phenomenon, offering insights for music scholars, producers, and educators.

Author Biography

Alia Farahin Abdul Wahab, Universiti Teknologi MARA

Alia Farahin Abd Wahab is a senior lecturer at the Faculty of Music, Universiti Teknologi MARA (UiTM), specializing in music composition and performance. With over 13 years of teaching experience, her creative and scholarly work focuses on soundscape studies and the development of Malaysian art songs, often integrating traditional elements with contemporary techniques. She holds a Ph.D. in Music Composition from UPSI and a Master’s in Jazz Piano Performance from UNSW, Australia. Her compositions have been performed both locally and internationally.

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Published

2025-06-30

How to Cite

Bin Hasnan, H. H., & Abdul Wahab, A. F. (2025). SIDECHAIN COMPRESSION AND THE SONIC CONSTRUCTION OF GROOVE IN ELECTRONIC DANCE MUSIC. VISITSILP-JOURNAL OF ARTS AND CULTURE, 2(1), 1–26. Retrieved from https://ejournals.swu.ac.th/index.php/vss/article/view/17009