The Role of Nang Naraiin Thai Contemporary Dance Narai Avatara

Authors

  • Pattama Wattanapanich
  • Naraphong Charassri

Abstract

This research aims to study the forms and the concepts in the creation of the role of Nang Narai in theThai contemporary dance “Narai Avatara”. Research methodology includes study of related documents,documentary data survey, interviews of experts and academics, seminars, information media, field surveys,and focus groups.The research findings are as follows: Performance patterns feature new dramatic compositions basedon the original story line and dance movements which come from various cultures but which placeemphasis on the Thai identity. At the same time, the choreography, music, costumes, stage area, dancingart and visual arts, performers, as well as props have been created with the new generation taken intoconsideration. Dramatic creative concepts include reflection on women’s roles in Thai society, the conservationof Thai culture and traditions, use of symbols, application of theories of dance and visual arts.Also considered are the development of new concepts, cultural diversity, communication, variety inperformances, ethics, and the new generation.In addition to these findings, which were in accordance with the research objectives, this researchfound that the traditional role of Nang Narai followed classical Thai dance patterns, namely, the role ofapsaras or goddesses, the role of intelligent women, and male-female roles. On the other hand, the newrole of Nang Narai incorporates contemporary Thai dance patterns, recognizing the role of gender, valuesof the female gender, role of the female gender, and the male-female gender relations.Key words: Nang Narai, Thai contemporary dance, Narai Avatara

Author Biographies

Pattama Wattanapanich

PhD Candidate, Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok, Thailand 

Naraphong Charassri

Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok, Thailand

Downloads

Published

2015-07-01